Muddy Waters

Muddy Waters
Blues as an art form gave Blacks a medium to manifest their feelings. Feelings
ranging from humorous to silly to depressed. Fortunately for a entire genre of music, the
only way for Mckinley Morganfield to express himself was through song. Morganfield
better known as Muddy Waters became a legendary blues vocalist /guitarist. When the
Blues industry saw commercial success many of its artists also saw rising fame. Muddy
Waters enjoyed success in the industry up until and even after his death in 1983.
Morganfield was born April 4, 1915 to Ollie Morganfield and Bertha Jones. He
was born in Rollingfork, Mississippi. Near their two room shack in Rollingfork there was
a creek, Deer Creek. As a youngster he used to play in the creek and get all dirty and
muddy. It was at this point when his sisters gave him the nickname ‘Muddy Waters’.
Bertha died when he was about three. After her death he had to move in with his
grandmother in Clarksdale. Raised in Clarksdale, he also went to school there. He went
to school until he was old enough to work in the fields.
Much like all of the other field laborers Muddy Waters hollered in the fields to pass
time or just to get things off of your chest. Waters would also teach himself to play
instruments. When he was fifteen he knew how to play the harmonica and he would later
teach himself the guitar. The young Waters followed in his fathers musician footsteps. He
was part of a band at fifteen, with Scott Bowhandle on guitar and Sonny Simms playing
the violin. They would play some Saturday nights in downtown Clarksdale and others he
would sell fried fish on nights. And other nights he would watch the greats like Son
House, Robert Johnson and Charlie Patton were great musical influences on Waters. The
main influence on Waters was Son House, although Waters style of play was more similar
to that of Robert Johnson.
Muddy Waters was first recognized by word of mouth. Alan Lomax of The
Library of Congress went to Clarksdale to record Robert Johnson. But to his dismay, he
found out that Robert Johnson was dead and had been for two years. The word on the
street at that time led Lomax to Muddy Waters. Waters would record two songs with
them in 1941, far before he became famous. His name would not reach household status
until 1947 when he recorded his first hit single, ”I can’t be satisfied.”
Muddy Waters style of blues was considered rough and uncompromising. It was
different from all of the other too ‘polished’ for the South musicians. Waters didn’t have a
sing-song voice, but a deep raspy voice. Success was steadily increasing especially since
the addition of band members. The band complimented his sound. Jimmy Rogers was on
the guitar, and harmonica specialist Little Walter. The band provided superb sounds while
the ‘grand ole man’ played his guitar and sang.
Although I listened to more than two selections there were two that stood out in
my mind; ‘The Hoochie Coochie Man’ and ‘Corine Corina’. Waters proclaims his arrival
and his presence as the hoochie coochie man. He wants to let the world know that he is
here. Over a consistent baseline, he begins each verse with a whisper and concluding each
verse with a shout almost. Adding to the effect that says his coming and know he is here.
The next song ‘Corine Corina is fast paced and upbeat. In an almost pleading voice he
asks Corina why she does not love him. He leaves Corina by the end of the song. This
record has a blend of saxophones, a base and a bridge with a harmonica. Neither of these
songs carry the typical thoughts of what a Blues song should like.
“The most astonishing aspect of the blues is that, through replete with a sense of
defeat and downheartedness, they are not intrinsically pessimistic; their burden of woe and
melancholy is dialectically redeemed through sheer force of sensuality into an almost
exultant affirmation of life, of love, of sex, of movement, of hope. No matter how
repressive was the American environment, the Negro never lost faith in of doubted his
deeply endemic capacity to live. All blues are a lusty, lyrical realism charged with taut
sensibility. I’ll never understand why most people define the blues as an expression of
sadness only.”
-Richard Wright, definition of blues
Muddy Waters is a legend. Not only is he a legendary Blues vocalist /guitarist, but